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     STATE OF RHODE ISLAND

IN GENERAL ASSEMBLY

JANUARY SESSION, A.D. 2023

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H O U S E   R E S O L U T I O N

EXTENDING DEEPEST CONDOLENCES ON THE PASSING OF ADRIAN HALL

     

     Introduced By: Representatives Ajello, Shekarchi, Blazejewski, Chippendale, Kennedy,
Shallcross Smith, Tanzi, Fogarty, Casimiro, and Bennett

     Date Introduced: February 28, 2023

     Referred To: House read and passed

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     WHEREAS, It is with sadness that this House has learned of the passing of Adrian Hall,

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a legend in American theater, and the founding artistic director at Trinity Repertory Company;

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and

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     WHEREAS, Adrian Hall grew up on a farm in the tiny town of Van, Texas, during the

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Depression. In 1957, together with a group of talented and forward-thinking artists, he started the

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Phoenicia Playhouse in upstate New York, just outside Woodstock. It was the beginning of what

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would become a lifetime of innovation and acclaim; and

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     WHEREAS, In the early 1960s, Mr. Hall became the founding artistic director at Trinity

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Repertory Company in Providence, which he helped establish, and is the person who was most

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responsible for launching the theatre to national fame and helping to make the City a creative

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hub. His boundary-breaking vision for the theater as a public square is perhaps his greatest

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legacy; and

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     WHEREAS, In 1966, the Company received substantial funding from the newly founded

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National Endowment for the Arts to fund the landmark Project Discovery program, which

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allowed high school students from all over the State to attend professional live theater for free and

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brought considerable attention to the Theater; and

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     WHEREAS, Mr. Hall successfully led the efforts to purchase and renovate the Emery's

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Majestic Theater, providing Trinity with a larger space and in 1973, the company moved to its

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present location at the Lederer Theater Center. In the late 1970s, Trinity established an actor and

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director training program, the Trinity Rep Conservatory which evolved into the current

 

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Brown/Trinity Rep MFA program; and

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     WHEREAS, For thirty years, Mr. Hall shaped the theater’s artistic direction with his

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distinctive and epic style. The audience and its experience became central to the "Trinity

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aesthetic" and melded with Mr. Hall's creative genius, ultimately earning Trinity a Tony Award in

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1981; and

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     WHEREAS, From 1983 through 1986, Mr. Hall ran two major theaters simultaneously,

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Trinity Repertory and the Dallas Theater Center (DTC), which had been founded only three years

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earlier; and

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     WHEREAS, In 1986, Mr. Hall left Trinity Rep. and moved full-time to Dallas, Texas,

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where he eventually spent another three years establishing the DTC's first professional acting

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ensemble and helping to build the Arts District Theater; and

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     WHEREAS, After leaving the Dallas Theater Center in 1989, Mr. Hall found himself in

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high demand as a freelance director, working in San Diego, Seattle, Los Angeles, and New York;

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and

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     WHEREAS, With a style that was often described as “visceral, exposed and starkly

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flamboyant” Adrian Hall collected artists around him, always travelling with a tribe of fellow

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theater-makers. He was celebrated for working with new American plays and establishing

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resident acting companies, and for being a major influence in the first- and second-generation

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regional theater movement of the 1960s through the late 1980s; and

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     WHEREAS, Mr. Hall's genius developed in seamless tandem with the peerless designer

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Eugene Lee and together their aesthetic focused on what was theatrical, not filmic, and on how

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individual, visceral gestures could evoke the range of human experience; and

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     WHEREAS, Describing the love of his life, Adrian Hall stated, “The theater is thousands

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of years old,” and “it has always been man’s attempt to tell the stories that mean something to the

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people there. And most of all, it’s alive! It’s right in front of them”; and

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     WHEREAS, Mr. Hall was one of the last, living connections to the off-Broadway

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movement of the 1950s and to the history of the American resident theater movement and his

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contributions to our State and to the evolution of the Arts and Theater will long be remembered;

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now, therefore be it

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     RESOLVED, That this House of Representatives of the State of Rhode Island hereby

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extends deepest condolences on the passing of Adrian Hall; and be it further

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     RESOLVED, That the Secretary of State be and hereby is authorized and directed to

 

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transmit a duly certified copy of this resolution to Trinity Repertory Company.

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